Dunes 2021 1254 Art ID: Dea Theodora 4000 $ 120 x 90 cm Ink & resin on board Artist's Story Inquire Now Dunes Artist's Story Women in Art Kintsugi No. 1 - 3 1249 Art ID: 2022 | 140 x 90 cm (x3) Ink & resin on board Price on request $ Theodora Dea Women in Art Desert Sunset 1258 Art ID: 2023 | 120 x 90 cm Ink & resin on board 7000 $ Theodora Dea Women in Art Fibonacci 1250 Art ID: 2022 | 120 x 90 cm Ink & resin on board Price on request $ Theodora Dea Women in Art Roses 2051 Art ID: 2022 | 94 x 75 cm Ink & resin on board 2500 $ Theodora Dea Women in Art Grain of Sand 1253 Art ID: 2021 | 120 x 90 cm Ink & resin on board 4000 $ Theodora Dea Women in Art The Gaze 1255 Art ID: 2021 | 95 x 75 cm Ink & resin on board 2500 $ Theodora Dea Women in Art Sand 1256 Art ID: 2022 | 140 x 90 cm Ink & resin on board 5000 $ Theodora Dea Women in Art Nebu 1257 Art ID: 2022 | 140 x 120 cm Ink & resin on board 6000 $ Theodora Dea Women in Art Mirage 1252 Art ID: 2021 | 120 x 90 cm Ink & resin on board 4000 $ Theodora Dea Women in Art AoA 1251 Art ID: 2021 | 120 x 90 cm Ink & resin on board Price on request $ Theodora Dea More from This Artist... Load more... Women in Art Beautiful England 2258 Art ID: 2023 | 101 x 101 cm Oil on canvas 2900 $ Gill Bustamante Women in Art Caught in the Act 2259 Art ID: 2023 | 122 x 122 cm Oil on canvas 3800 $ Gill Bustamante Women in Art Chasing a Memory 2260 Art ID: 2024 | 76 x 76 cm Oil on canvas 1800 $ Gill Bustamante Women in Art A Triumphant Return of Swallows 2261 Art ID: 2024 | 152 x 76 cm Oil on canvas 3300 $ Gill Bustamante Women in Art Spirited Away 2262 Art ID: 2024 | 101 x 101 cm Oil on canvas 2900 $ Gill Bustamante Load more... Discover other Artist's Art of The Same Style... Load more... A Call to the World's Finest Female Artists: Join us! Discover what makes our vibrant community unique – from nurturing creative talents to forging strong connections. Leverage our commission-free sales platform to keep the full sales price of your artworks, expand your network through our global partnerships with museums and galleries, and enhance your visibility with our comprehensive marketing and community engagement initiatives. REGISTER NOW REGISTER NOW Rubens Peter Paul World of Art Cimon and Pero da Vinci Leonardo World of Art Mona Lisa da Vinci Leonardo World of Art Salvator Mundi Michelangelo World of Art Pietà Botticelli Sandro World of Art The Birth of Venus Michelangelo World of Art The Creation of Adam de Kooning Willem World of Art Interchange Cezanne Paul World of Art The Card Players Merisi da Caravaggio Michelangelo World of Art Madonna of the Rosary Rubens Peter Paul World of Art The Four Continents – The Four Rivers of Paradise Rubens Peter Paul World of Art The Tiger Hunt Seurat Georges World of Art A Sunday at Afternoon on the Island of La Grande Jatte SELECT from START Style Geography Price Remove Filter Filter now for more than 1.000 artists worldwide! Century Themes Explore Further Unique Fine Art Discover thousands of artworks to choose from!

Suprematist Composition No. 56 1915 182 Art ID: Malevich Kazimir 80000000 $ 80,0 x 71,0 cm Oil on canvas State Russian Museum, St. Petersburg, Russia Oil on canvas, 80,0 x 71,0 cm © Bridgeman Images Artist's Story Inquire Now Kazimir Severinovich Malevich (Russian Казимир Северинович Малевич, scientific transliteration Kazimir Severinovič Malevič, Ukrainian Казимир Севринович Малевич). Transliteration Kazimir Severinovič Malevič, Ukrainian Казимир Северинович Малевич Kasymyr Severynovych Malevich, Polish Kazimierz Malewicz; * 11 February 1878 in Kiev; † 15 May 1935 in Leningrad) was a painter and main representative of the Russian avant-garde, pioneer of Constructivism and founder of Suprematism. Malevich was an art theorist whose pioneering work and writing had a profound influence on the development of non-objective or abstract art in the 20th century. He was influenced by Post-Impressionism, Fauvism and Cubism. Suprematist Composition No. 56 Artist's Story World of Art Suprematist Composition 181 Art ID: 1915 | 88,5 x 71,0 cm Oil on canvas 88400000 $ Kazimir Malevich More from This Artist... Load more... Women in Art Autumn in Rannoch Moor 2145 Art ID: 2023 | 75 x 95 cm Oil on canvas 950 $ Yulia Allan Women in Art Quiet Waves 2146 Art ID: 2024 | 75 x 95 cm Oil on canvas 1150 $ Yulia Allan Women in Art Moody Cherry 2147 Art ID: 2024 | 56 x 46 cm Oil on canvas 650 $ Yulia Allan Women in Art Red Summer 2148 Art ID: 2024 | 65 x 80 cm Oil on canvas 950 $ Yulia Allan Women in Art Beach View Iona 2149 Art ID: 2023 | 56 x 46 cm Oil on canvas 700 $ Yulia Allan Load more... Discover other Artist's Art of The Same Style... Load more... A Call to the World's Finest Female Artists: Join us! Discover what makes our vibrant community unique – from nurturing creative talents to forging strong connections. Leverage our commission-free sales platform to keep the full sales price of your artworks, expand your network through our global partnerships with museums and galleries, and enhance your visibility with our comprehensive marketing and community engagement initiatives. REGISTER NOW REGISTER NOW Rubens Peter Paul World of Art Cimon and Pero da Vinci Leonardo World of Art Mona Lisa da Vinci Leonardo World of Art Salvator Mundi Michelangelo World of Art Pietà Botticelli Sandro World of Art The Birth of Venus Michelangelo World of Art The Creation of Adam de Kooning Willem World of Art Interchange Cezanne Paul World of Art The Card Players Merisi da Caravaggio Michelangelo World of Art Madonna of the Rosary Rubens Peter Paul World of Art The Four Continents – The Four Rivers of Paradise Rubens Peter Paul World of Art The Tiger Hunt Seurat Georges World of Art A Sunday at Afternoon on the Island of La Grande Jatte SELECT from START Style Geography Price Remove Filter Filter now for more than 1.000 artists worldwide! Century Themes Explore Further Unique Fine Art Discover thousands of artworks to choose from!

Propose a work associated with this style Propose a work associated with this style 1910-2010 Abstract Art DE EN Welcome to Our Community! Dive into what makes us truly unique. Here, we provide a glimpse into our vibrant ecosystem, highlighting the special qualities that distinguish us. Whether it's our dedication to nurturing creativity, building connections, or showcasing extraordinary talents – we celebrate what you bring to the table. Enhance your experience with us by adding visual elements to your profile, making it even more engaging. Join us to create a space where inspiration thrives and connections grow deeper. Join the Elite Circle The Most Valuable & Expensive Works of Art in The World Be one of the owners of this limited edition and buy one of the 3333 hand signed books! Discover Limited Edition The idealistic roots can probably be traced back to ancient Greece. The philosophical adjustment for the classification and appreciation of the formal qualities of an oeuvre is therefore already derived from a statement by Plato: "Straight lines and circles are ... not only beautiful ... but eternally and absolutely beautiful". Basically, Plato wanted to express that non-representational images (e.g. simple geometric forms) possess an absolute, unchanging beauty. Accordingly, a work can be appreciated and valued merely on the basis of its lines and colours - it is not obliged to represent a natural object or a representational scene. Abstract art as we know it today, on the other hand, is much younger and originated as a departure from classical and traditional academic painting in Europe in the late 19th and early 20th centuries. Shortly after 1900, the first painters and sculptors began to move further and further away from the reproduction of the real world. Wassily Kandinsky's path from a stylising painting committed to the Munich Art Nouveau style is well known, through numerous stages of development to abstract compositions culminating in the pure non-objectivity of organic and geometric forms. For artists like Kandinsky, the depiction of reality was no longer decisive. The Russian artist wanted to recognise the only truth in the inner being of man, and this inner being, the world of feelings, was to be reflected on the canvas in abstract colours and forms. The art historian Wilhelm Worringer had already written an essay on "Abstraction and Empathy" in 1907. It said: "The tendency towards abstraction is the consequence of a deep insecurity of man in the face of the world." Kandinsky laid down a programmatic foundation with his 1910 essay: On the Spiritual in Art laid the theoretical foundation for the new direction in painting. Whether he was the pioneer in the history of the development of abstraction is, however, debatable. According to his own statements, he painted his first non-objective picture in 1910. Today, however, it is assumed that Kandinsky predated this picture; he probably did not paint it until 1913. The Czech František Kupka had already begun to paint abstract pictures in 1911. However, according to a report by the journalist and historian Julia Voss in the Frankfurter Allgemeine Zeitung in April 2011, Hilma af Klint (1862-1944) is considered the first artist to paint abstract pictures. After a series of small-format paintings in November 1906, she created her first large-format painting in 1907. Other pioneers of abstract painting were the artists Sonia Delaunay-Terk, Robert Delaunay and Francis Picabia, who were active in France, the Dutchman Piet Mondrian and Sophie Taeuber-Arp, who worked in Switzerland and France. In sculpture, the works that were actually non-objective were not created until around 1920 by the Ukrainian sculptor Alexander Archipenko, the Russian Constructivist El Lissitzky and the English sculptor Henry Moore. Discover Limited Edition Explore This Era DE EN 1910-2010 Abstract Art Propose a work associated with this style Propose a work associated with this style

Die 7 Todsünden Völlerei - Neid, Gier - Faulheit - Zorn, Hochmut - Wollust 2018 1307 Art ID: Angerer Karin 21400 $ 7-piece, each 60 x 60 cm Acrylic on canvas Artist's Story Inquire Now Die 7 Todsünden Völlerei - Neid, Gier - Faulheit - Zorn, Hochmut - Wollust Artist's Story Women in Art Eva 1300 Art ID: 2013 | Height 115 cm Collage: Polyester, acrylic, epoxy resin 30500 $ Karin Angerer Women in Art Eva 1301 Art ID: 2012 | Height 115 cm Collage: Polyester, acrylic, epoxy resin 30500 $ Karin Angerer Women in Art Der Busen-Halter 1302 Art ID: 2014 | Length 30 cm Bronze 4400 $ Karin Angerer Women in Art Adam 1299 Art ID: 2019 | Height 125 cm Collage: Polyester, acrylic, epoxy resin 30500 $ Karin Angerer Women in Art Der Busen-Halter 1303 Art ID: 2014 | Length 30 cm Bronze 4400 $ Karin Angerer Women in Art Kiss me 1304 Art ID: 2009 | Height 55 cm Serpentine 7100 $ Karin Angerer Women in Art Adam und Eva 1305 Art ID: 2011 | 3-piece, each 80 x 60 cm Collage: newspaper, acrylic and charcoal on canvas 10400 $ Karin Angerer Women in Art Jack Frost kisses mother nature 1306 Art ID: 2012 | 200 x 200 cm Acrylic on canvas 10900 $ Karin Angerer Women in Art Die 7 Tugenden Gerechtigkeit - Tapferkeit, Liebe - Glaube - Hoffnung, Weisheit - Mässigung 1308 Art ID: 2018 | 7-piece, each 30 x 30 cm Mixed media on paper on canvas 9800 $ Karin Angerer More from This Artist... Load more... Women in Art Confidence 2020 Art ID: 2024 | 70 x 70 cm Oxidation technology (Copper/Iron) 4500 $ Beatrix S. ZygARTowski Women in Art Raincarnation 03 2295 Art ID: 2019 | 38 x 28 cm Photo Montage 4000 $ Nazli Abbaspour Women in Art Raincarnation 05 2296 Art ID: 2019 | 38 x 27 cm Photo Montage 4000 $ Nazli Abbaspour Women in Art Raincarnation 06 2297 Art ID: 2019 | 40 x 25 cm Photo Montage 4500 $ Nazli Abbaspour Women in Art Raincarnation 08 2298 Art ID: 2019 | 28 x 39 cm Photo Montage 3000 $ Nazli Abbaspour Load more... Discover other Artist's Art of The Same Style... Load more... A Call to the World's Finest Female Artists: Join us! Discover what makes our vibrant community unique – from nurturing creative talents to forging strong connections. Leverage our commission-free sales platform to keep the full sales price of your artworks, expand your network through our global partnerships with museums and galleries, and enhance your visibility with our comprehensive marketing and community engagement initiatives. REGISTER NOW REGISTER NOW Rubens Peter Paul World of Art Cimon and Pero da Vinci Leonardo World of Art Mona Lisa da Vinci Leonardo World of Art Salvator Mundi Michelangelo World of Art Pietà Botticelli Sandro World of Art The Birth of Venus Michelangelo World of Art The Creation of Adam de Kooning Willem World of Art Interchange Cezanne Paul World of Art The Card Players Merisi da Caravaggio Michelangelo World of Art Madonna of the Rosary Rubens Peter Paul World of Art The Four Continents – The Four Rivers of Paradise Rubens Peter Paul World of Art The Tiger Hunt Seurat Georges World of Art A Sunday at Afternoon on the Island of La Grande Jatte SELECT from START Style Geography Price Remove Filter Filter now for more than 1.000 artists worldwide! Century Themes Explore Further Unique Fine Art Discover thousands of artworks to choose from!

Propose a work associated with this style Propose a work associated with this style 1140-1250 Early Gothic DE EN Welcome to Our Community! Dive into what makes us truly unique. Here, we provide a glimpse into our vibrant ecosystem, highlighting the special qualities that distinguish us. Whether it's our dedication to nurturing creativity, building connections, or showcasing extraordinary talents – we celebrate what you bring to the table. Enhance your experience with us by adding visual elements to your profile, making it even more engaging. Join us to create a space where inspiration thrives and connections grow deeper. Join the Elite Circle The Most Valuable & Expensive Works of Art in The World Be one of the owners of this limited edition and buy one of the 3333 hand signed books! Discover Limited Edition Early Gothic is the style of architecture that appeared in northern France, Normandy and then England between about 1140 and the mid-13th century. It combined and developed several key elements from earlier styles, particularly from Romanesque architecture, including the rib vault, flying buttress, and the pointed arch, and used them in innovative ways to create structures, particularly Gothic cathedrals and churches, of exceptional height and grandeur, filled with light from stained glass windows. Notable examples of early Gothic architecture in France include the ambulatory and facade of Saint-Denis Basilica; Sens Cathedral (1140); Laon Cathedral; Senlis Cathedral; (1160) and most famously Notre-Dame de Paris (begun 1160). Early English Gothic was influenced by the French style, particularly in the new choir of Canterbury Cathedral, but soon developed it own particular characteristics, particularly an emphasis for length over height, and more complex and asymmetric floor plans, square rather than rounded east ends, and polychrome decoration, using Purbeck marble. Major examples are the nave and west front of Wells Cathedral, the choir of Lincoln Cathedral, and the early portions of Salisbury Cathedral. Early Gothic was succeeded in the early 13th century by a new wave of larger and taller buildings, with further technical innovations, in a style later known as High Gothic. Discover Limited Edition Explore This Era DE EN 1140-1250 Early Gothic Propose a work associated with this style Propose a work associated with this style

*1962 Europe Hadengue Laïna 3290 Artist ID: Exhibitions 2024 | Art Mundi, Place des Vosges, Paris (Nov-Dec) Gallery Kellie Miller, Brighton, United Kingdom (Oct) 2020-2021 | Galerie Benjamin ECK, Munich, Germany Conference "La femme artiste, une révolution" 2019 | Artemisia Gallery, New York City 2018-2019 | Venice Biennale, Italy: "Personal Structure", Espace Temps Existence Artemisia Gallery and Azart Gallery, New York (Sep 19-29) Galerie Art Compulsion 2017 | Artemisia Gallery, New York: Art Southampton, United States Artemisia Gallery, New York: Spring Show and Azart Gallery, New York H2M – Hôtel Marron de Meillonnas Espace d'art Contemporain, Lyon 2016 | Mac Paris (Nov 26-29) Art Hamptons: Artemisia Gallery, New York, Southampton Artemisia Gallery, New York "Feminity", Artemisia Gallery, New York 2015 | "Festival Courts Devant", Paris (Nov 24-30) Mac Paris (Nov 27-30) Select Art Fair, Chelsea, New York (May 8-11) Artemisia Gallery, New York 2014 | Artemisia Gallery, New York Biennale d'Issy, Paris Galerie Lulu Mirette 2013 | Artemisia Gallery, New York Exhibition collective, Arcos, Italy 2011 | AAF London, United Kingdom Video Projection Space Dialogos, Paris Espace Dialogos, Cachan Artemisia Gallery, New York 2009 | Seoul Art Center Manif, South Korea Artemisia Gallery, New York Participation in the Degradarte movement, Rome, Italy 2007 | AAF London Visitartemisia Gallery, London 2006 | The Galleria Transito, Italy Museum of Contemporary Art, Toulouse (Art on the Spot) Gallery A, Carcassonne Space Capitole, Toulouse 2005 | Museum of Contemporary Art, Toulouse 2004 | Center for Contemporary Art, La Grande Arche de la Défense, Paris Communication and Art Gallery, Paris 2002 | Gallery BCT, Spain 2001 | Contemporary Art Space, Borneim, Belgium Galerie Lise Cormery, Paris 2000 | Centre for Contemporary Art, Antwerp Galerie Lise Cormery, Paris 1999 | Galerie Lise Cormery, Paris 1995 | Galerie Lise Cormery, Paris Etc... Biography I was born on June 26, 1962, in Valence. Growing up in an artistic environment, I was deeply influenced by my rich family heritage. As the niece of Philippe Hadengue, a French painter and writer, and the great-granddaughter of Louis Michel Hadengue, an impressionist painter who studied under Léon Bonnat and associated with illustrious figures such as Gustave Caillebotte, Henri de Toulouse- Lautrec, and Raoul Dufy. In this environment where art, history, and literature are highly valued, I was able to flourish and develop my passion for artistic creation. I began my artistic work at the age of 15. My career evolved from figurative oil painting to increasingly abstract works, incorporating various materials and objects to create three-dimensional compositions with Plexiglas. I had the honor of being among the first French artists to exhibit Plexiglas works in New York, acclaimed by several contemporary art fairs in the United States. Despite a period of immobility due to a herniated disc after an exhibition in Korea in 2007, I explored new materials and created my first contemporary art video, "Conscience effet mère. " This film was selected as "Best Artist Film" at the Courts Devant Short Film Festival and was screened at the Cinéma des Cinéastes in Paris in 2014. In 2013, following the sudden death of my brother, I returned to figurative painting with the series "My Unusual Portraits," merging hyperrealism and surrealism. This series was presented at the 2017 Venice Biennale at the Palazzo Mora. Artistic Inspiration and Themes My works have been exhibited in numerous solo and group exhibitions across Europe, Asia, and the United States, demonstrating my international stature in the contemporary art world. I draw my artistic inspiration from the entire history of art, but also from literature and, more specifically, from philosophy. Each of my paintings is a question about the meaning we can give to existence, a question posed to life. Currently, I am finishing writing a 300-page autobiographical novel that depicts the birth of a painter, from childhood to adulthood. This book explores the influences and formative experiences that have shaped the artist I have become, offering an introspective look at the quest for meaning and creativity that permeates my pictorial works. Evenement My next painting exhibition will take place in November and December 2024 at the Place des Vosges gallery in Paris. A significant portion of the "Unusual Portraits" series will be featured, a series that embodies this philosophical and literary exploration of existence through representations that blend figuration and surrealism. Instagram Website Biography I was born on June 26, 1962, in Valence. Growing up in an artistic environment, I was deeply influenced by my rich family heritage. As the niece of Philippe Hadengue, a French painter and writer, and the great-granddaughter of Louis Michel Hadengue, an impressionist painter who studied under Léon Bonnat and associated with illustrious figures such as Gustave Caillebotte, Henri de Toulouse- Lautrec, and Raoul Dufy. In this environment where art, history, and literature are highly valued, I was able to flourish and develop my passion for artistic creation. I began my artistic work at the age of 15. My career evolved from figurative oil painting to increasingly abstract works, incorporating various materials and objects to create three-dimensional compositions with Plexiglas. I had the honor of being among the first French artists to exhibit Plexiglas works in New York, acclaimed by several contemporary art fairs in the United States. Despite a period of immobility due to a herniated disc after an exhibition in Korea in 2007, I explored new materials and created my first contemporary art video, "Conscience effet mère. " This film was selected as "Best Artist Film" at the Courts Devant Short Film Festival and was screened at the Cinéma des Cinéastes in Paris in 2014. In 2013, following the sudden death of my brother, I returned to figurative painting with the series "My Unusual Portraits," merging hyperrealism and surrealism. This series was presented at the 2017 Venice Biennale at the Palazzo Mora. Artistic Inspiration and Themes My works have been exhibited in numerous solo and group exhibitions across Europe, Asia, and the United States, demonstrating my international stature in the contemporary art world. I draw my artistic inspiration from the entire history of art, but also from literature and, more specifically, from philosophy. Each of my paintings is a question about the meaning we can give to existence, a question posed to life. Currently, I am finishing writing a 300-page autobiographical novel that depicts the birth of a painter, from childhood to adulthood. This book explores the influences and formative experiences that have shaped the artist I have become, offering an introspective look at the quest for meaning and creativity that permeates my pictorial works. Evenement My next painting exhibition will take place in November and December 2024 at the Place des Vosges gallery in Paris. A significant portion of the "Unusual Portraits" series will be featured, a series that embodies this philosophical and literary exploration of existence through representations that blend figuration and surrealism. Instagram Website Women in Art La tentation du libre arbitre 621 Art ID 2021 | 100 x 100 cm Oil on canvas $ Laïna Hadengue Women in Art La lumière aveugle 620 Art ID 2022 | 100 x 100 cm Oil on canvas $ Laïna Hadengue Women in Art Le fil des jours 624 Art ID 2019 | 146 x 114 cm Oil on canvas $ Laïna Hadengue Further Works of This Artist Display Your Work Alongside the Masters of Art Our platform provides carefully curated access to artworks selected by art experts, guaranteeing a selection of the highest quality. Join the Elite Circle Our Mission and Actions At THE ART HUB, our mission is initially focused on addressing a profound imbalance within the art world, specifically catering to women artists. In the current landscape, a mere 5% to 15% of artworks traded at auctions are created by women, starkly contrasted by the overwhelming 85% to 95% of works by male artists. This disparity is not only confined to auctions but is also prevalent in exhibitions, where male-created art significantly overshadows that of their female counterparts. By concentrating our efforts on female artists, THE ART HUB aims to counteract this imbalance and champion women within the art community. This initiative is designed to amplify the visibility of women artists, making their creations more accessible to a wider audience, and ultimately striving for a more balanced representation of genders within art auctions and exhibitions. By prioritizing women in art, our platform boldly advocates for equality and diversity within the art sector, signaling a commitment to reshaping and enriching the cultural landscape. Collections | Distinctions 2017 | Biennale de Venise, Palazzo Mora Museum of Borneim, Belgium Vasarely Museum Foundation Gordes Collection of House Graham Lambert, England Memberships & Implications 2017 | Selection "Best of" ART SOUTHAMPTON, Etats Unis Selection of the video: "Conscience mother effect", "In the best film" category artist Festival "Courts Devant" Since 2007 | Artists Gathering Degradarte, Italy Since 2003 | Federation of Italian artists, active professional member of Arco 2007 | Korea Contemporary Art Association, active member Prize 2006 | Prize Contemporary Art space for Dialogos "The greatest inovation" Exhibitions 2024 | Art Mundi, Place des Vosges, Paris (Nov-Dec) Gallery Kellie Miller, Brighton, United Kingdom (Oct) 2020-2021 | Galerie Benjamin ECK, Munich, Germany Conference "La femme artiste, une révolution" 2019 | Artemisia Gallery, New York City 2018-2019 | Venice Biennale, Italy: "Personal Structure", Espace Temps Existence Artemisia Gallery and Azart Gallery, New York (Sep 19-29) Galerie Art Compulsion 2017 | Artemisia Gallery, New York: Art Southampton, United States Artemisia Gallery, New York: Spring Show and Azart Gallery, New York H2M – Hôtel Marron de Meillonnas Espace d'art Contemporain, Lyon 2016 | Mac Paris (Nov 26-29) Art Hamptons: Artemisia Gallery, New York, Southampton Artemisia Gallery, New York "Feminity", Artemisia Gallery, New York 2015 | "Festival Courts Devant", Paris (Nov 24-30) Mac Paris (Nov 27-30) Select Art Fair, Chelsea, New York (May 8-11) Artemisia Gallery, New York 2014 | Artemisia Gallery, New York Biennale d'Issy, Paris Galerie Lulu Mirette 2013 | Artemisia Gallery, New York Exhibition collective, Arcos, Italy 2011 | AAF London, United Kingdom Video Projection Space Dialogos, Paris Espace Dialogos, Cachan Artemisia Gallery, New York 2009 | Seoul Art Center Manif, South Korea Artemisia Gallery, New York Participation in the Degradarte movement, Rome, Italy 2007 | AAF London Visitartemisia Gallery, London 2006 | The Galleria Transito, Italy Museum of Contemporary Art, Toulouse (Art on the Spot) Gallery A, Carcassonne Space Capitole, Toulouse 2005 | Museum of Contemporary Art, Toulouse 2004 | Center for Contemporary Art, La Grande Arche de la Défense, Paris Communication and Art Gallery, Paris 2002 | Gallery BCT, Spain 2001 | Contemporary Art Space, Borneim, Belgium Galerie Lise Cormery, Paris 2000 | Centre for Contemporary Art, Antwerp Galerie Lise Cormery, Paris 1999 | Galerie Lise Cormery, Paris 1995 | Galerie Lise Cormery, Paris Etc...

*1982 Europe Hammer Anna 3341 Artist ID: Exhibitions 2023 | Solo Exhibition "Aquarelle", Museum Springe 2019 | Grand Salon Villa Berberich, Bad Säckingen 2018 | "History and Innovation", Hameln 2018 | Solo Exhibition "Fairy-tale Realities", Museum Springe 2018 | "Art Prints International", Cologne 2018 | Solo Exhibition "Inspiration Hameln", Hameln 2018 | "Reformation and Freedom", Evangelical Church in Hannover 2017 | Solo Exhibition "REFLEXION", Bad Münder, Bad Oeynhausen 2017 | Solo Exhibition "Summer-Summer Watercolors", Springe 2017 | "Limitlessly Staged", GEDOK Gallery Salon, Hannover 2017 | "Three in Color", District Court Springe 2017 | Solo Exhibition "NEW GENERATION", Boesner Hannover Brief Biography Anna Hammer has lived and worked in Northern Germany for 18 years. Originally from Ukraine, she discovered her passion for art at an early age. She attended a children's art school in Ukraine for four years, laying the foundation for her artistic development. Since then, she has continuously evolved, expanding her knowledge and skills across various art forms. Intensive training in the craft of silk painting, formal education in textile design and millinery, and certification in new media have enriched her artistic profile, opening up a multitude of techniques and forms of expression. Instagram Website Brief Biography Anna Hammer has lived and worked in Northern Germany for 18 years. Originally from Ukraine, she discovered her passion for art at an early age. She attended a children's art school in Ukraine for four years, laying the foundation for her artistic development. Since then, she has continuously evolved, expanding her knowledge and skills across various art forms. Intensive training in the craft of silk painting, formal education in textile design and millinery, and certification in new media have enriched her artistic profile, opening up a multitude of techniques and forms of expression. Instagram Website Women in Art Miss Ball 1946 Art ID 2019 | 60 x 90 cm Oil on canvas 5400 $ Anna Hammer Women in Art Amor 1947 Art ID 2020 | 80 x 100 cm Oil on canvas 11200 $ Anna Hammer Women in Art Gefülltes Hähnchen 1945 Art ID 2019 | 60 x 80 cm Oil on canvas 10200 $ Anna Hammer Further Works of This Artist Display Your Work Alongside the Masters of Art Our platform provides carefully curated access to artworks selected by art experts, guaranteeing a selection of the highest quality. Join the Elite Circle Our Mission and Actions At THE ART HUB, our mission is initially focused on addressing a profound imbalance within the art world, specifically catering to women artists. In the current landscape, a mere 5% to 15% of artworks traded at auctions are created by women, starkly contrasted by the overwhelming 85% to 95% of works by male artists. This disparity is not only confined to auctions but is also prevalent in exhibitions, where male-created art significantly overshadows that of their female counterparts. By concentrating our efforts on female artists, THE ART HUB aims to counteract this imbalance and champion women within the art community. This initiative is designed to amplify the visibility of women artists, making their creations more accessible to a wider audience, and ultimately striving for a more balanced representation of genders within art auctions and exhibitions. By prioritizing women in art, our platform boldly advocates for equality and diversity within the art sector, signaling a commitment to reshaping and enriching the cultural landscape. Exhibitions 2023 | Solo Exhibition "Aquarelle", Museum Springe 2019 | Grand Salon Villa Berberich, Bad Säckingen 2018 | "History and Innovation", Hameln 2018 | Solo Exhibition "Fairy-tale Realities", Museum Springe 2018 | "Art Prints International", Cologne 2018 | Solo Exhibition "Inspiration Hameln", Hameln 2018 | "Reformation and Freedom", Evangelical Church in Hannover 2017 | Solo Exhibition "REFLEXION", Bad Münder, Bad Oeynhausen 2017 | Solo Exhibition "Summer-Summer Watercolors", Springe 2017 | "Limitlessly Staged", GEDOK Gallery Salon, Hannover 2017 | "Three in Color", District Court Springe 2017 | Solo Exhibition "NEW GENERATION", Boesner Hannover

*1983 Europe Czeremuszkin-Chrut Agata 1816 Artist ID: Women in Art Materials 6 1042 Art ID 2021 | 150 x 190 cm acrylic on canvas 5500 $ Agata Czeremuszkin-Chrut Women in Art Membranes 9 1046 Art ID 2023 | 100 x 90 cm acrylic on canvas 2200 $ Agata Czeremuszkin-Chrut Women in Art Membranes 2 1051 Art ID 2023 | 100 x 90 cm acrylic on canvas 2200 $ Agata Czeremuszkin-Chrut Women in Art Membranes 11 1048 Art ID 2024 | 100 x 90 cm acrylic on canvas 2200 $ Agata Czeremuszkin-Chrut Women in Art Materials 19 1045 Art ID 2023 | 130 x 150 cm acrylic on canvas 3800 $ Agata Czeremuszkin-Chrut Women in Art Membranes 18 1050 Art ID 2024 | 100 x 90 cm acrylic on canvas 2200 $ Agata Czeremuszkin-Chrut Women in Art Membranes 1 1047 Art ID 2023 | 110 x 99 cm acrylic on canvas 2200 $ Agata Czeremuszkin-Chrut Women in Art Membranes 12 1049 Art ID 2023 | 100 x 90 cm acrylic on canvas 2200 $ Agata Czeremuszkin-Chrut Women in Art Materials 17 1044 Art ID 2023 | 100 x 150 cm acrylic on canvas 2900 $ Agata Czeremuszkin-Chrut Women in Art Materials 16 1043 Art ID 2023 | 100 x 150 cm acrylic on canvas 2900 $ Agata Czeremuszkin-Chrut Further Works of This Artist Display Your Work Alongside the Masters of Art Our platform provides carefully curated access to artworks selected by art experts, guaranteeing a selection of the highest quality. Join the Elite Circle Our Mission and Actions At THE ART HUB, our mission is initially focused on addressing a profound imbalance within the art world, specifically catering to women artists. In the current landscape, a mere 5% to 15% of artworks traded at auctions are created by women, starkly contrasted by the overwhelming 85% to 95% of works by male artists. This disparity is not only confined to auctions but is also prevalent in exhibitions, where male-created art significantly overshadows that of their female counterparts. By concentrating our efforts on female artists, THE ART HUB aims to counteract this imbalance and champion women within the art community. This initiative is designed to amplify the visibility of women artists, making their creations more accessible to a wider audience, and ultimately striving for a more balanced representation of genders within art auctions and exhibitions. By prioritizing women in art, our platform boldly advocates for equality and diversity within the art sector, signaling a commitment to reshaping and enriching the cultural landscape.

Propose a work associated with this style Propose a work associated with this style 1000-1200 Romanesque DE EN Welcome to Our Community! Dive into what makes us truly unique. Here, we provide a glimpse into our vibrant ecosystem, highlighting the special qualities that distinguish us. Whether it's our dedication to nurturing creativity, building connections, or showcasing extraordinary talents – we celebrate what you bring to the table. Enhance your experience with us by adding visual elements to your profile, making it even more engaging. Join us to create a space where inspiration thrives and connections grow deeper. Join the Elite Circle The Most Valuable & Expensive Works of Art in The World Be one of the owners of this limited edition and buy one of the 3333 hand signed books! Discover Limited Edition Romanesque art is the art of Europe from approximately 1000 AD to the rise of the Gothic style in the 12th century, or later depending on region. The preceding period is known as the Pre-Romanesque period. The term was invented by 19th-century art historians, especially for Romanesque architecture, which retained many basic features of Roman architectural style – most notably round-headed arches, but also barrel vaults, apses, and acanthus-leaf decoration – but had also developed many very different characteristics. In Southern France, Spain, and Italy there was an architectural continuity with the Late Antique, but the Romanesque style was the first style to spread across the whole of Catholic Europe, from Sicily to Scandinavia. Romanesque art was also greatly influenced by Byzantine art, especially in painting, and by the anti-classical energy of the decoration of the Insular art of the British Isles. From these elements was forged a highly innovative and coherent style. Discover Limited Edition Explore This Era DE EN 1000-1200 Romanesque Propose a work associated with this style Propose a work associated with this style

Propose a work associated with this style Propose a work associated with this style 1916-1922 Dadaism DE EN Welcome to Our Community! Dive into what makes us truly unique. Here, we provide a glimpse into our vibrant ecosystem, highlighting the special qualities that distinguish us. Whether it's our dedication to nurturing creativity, building connections, or showcasing extraordinary talents – we celebrate what you bring to the table. Enhance your experience with us by adding visual elements to your profile, making it even more engaging. Join us to create a space where inspiration thrives and connections grow deeper. Join the Elite Circle The Most Valuable & Expensive Works of Art in The World Be one of the owners of this limited edition and buy one of the 3333 hand signed books! Discover Limited Edition Dadaism or Dada was an artistic and literary movement founded in Zurich in 1916 by Hugo Ball, Emmy Hennings, Tristan Tzara, Richard Huelsenbeck, Marcel Janco and Hans Arp, characterised by a rejection of "conventional" art and art forms - which were often parodied - and bourgeois ideals. Dada had a considerable impact on modern art and on contemporary art. Essentially, it was a revolt against art on the part of the artists themselves, who rejected the society of their time and its value system. Traditional art forms were therefore used satirically and exaggeratedly. For their revolt, the actors of this movement chose the deliberately banal-sounding name Dada. Dadaism is the term usually used today for this art movement. In the artists' sense, the term Dada(ism) stands for total doubt about everything, absolute individualism and the destruction of established ideals and norms. Artistic procedures determined by discipline and social morality were replaced by simple, arbitrary, mostly random actions in image and word. The Dadaists insisted that Dada(ism) could not be defined. When Dadaism began to consolidate, the Dadaists called for this order to be destroyed again, since that was precisely what they wanted to destroy. This made Dadaism again what it wanted to be: complete anti-art that was unclassifiable. Comparisons with Futurism or Cubism were rejected. The centres of Dadaism were Zurich, Paris, New York, Cologne, Berlin and Hanover. The Dadaists rejected bourgeois culture and instead sought new forms of expression in art. Thus they strove for a return to childlike naivety and were of the opinion that every human being was an artist. The basis of Dadaism was chance and the arbitrariness of materials. The Dadaists placed the lecture in the form of the sound poem with musical accompaniment (in the form of soundscapes) at the centre of their performances. Their artistic means were: Montages, collages. The Dadaists sometimes combined visual art, music and literature. Surrealism, neorealism and concrete poetry were inspired by the Dadaists. Discover Limited Edition Explore This Era DE EN 1916-1922 Dadaism Propose a work associated with this style Propose a work associated with this style

*1734-1797 North America Wright of Derby Joseph 40 Artist ID: Joseph Wright of Derby RA (* 3 September 1734 in Derby; † 28 August 1797 in Derby) styled Joseph Wright of Derby, was an English landscape and portrait painter. He has been acclaimed as "the first professional painter to express the spirit of the Industrial Revolution". Wright is notable for his use of tenebrism effect, which emphasizes the contrast of light and dark, and, for his paintings of candle-lit subjects. His paintings of the birth of science out of alchemy, often based on the meetings of the Lunar Society of Birmingham, a group of scientists and industrialists living in the English Midlands, are a significant record of the struggle of science against religious values in the period known as the Age of Enlightenment. Many of Wright's paintings and drawings are owned by Derby City Council, and are on display at the Derby Museum and Art Gallery. Joseph Wright of Derby RA (* 3 September 1734 in Derby; † 28 August 1797 in Derby) styled Joseph Wright of Derby, was an English landscape and portrait painter. He has been acclaimed as "the first professional painter to express the spirit of the Industrial Revolution". Wright is notable for his use of tenebrism effect, which emphasizes the contrast of light and dark, and, for his paintings of candle-lit subjects. His paintings of the birth of science out of alchemy, often based on the meetings of the Lunar Society of Birmingham, a group of scientists and industrialists living in the English Midlands, are a significant record of the struggle of science against religious values in the period known as the Age of Enlightenment. Many of Wright's paintings and drawings are owned by Derby City Council, and are on display at the Derby Museum and Art Gallery. World of Art An Experiment on a Bird in the Air Pump 91 Art ID 1767-1768 | 183,0 x 244,0 cm Oil on canvas 25000000 $ Joseph Wright of Derby Further Works of This Artist Display Your Work Alongside the Masters of Art Our platform provides carefully curated access to artworks selected by art experts, guaranteeing a selection of the highest quality. Join the Elite Circle Our Mission and Actions At THE ART HUB, our mission is initially focused on addressing a profound imbalance within the art world, specifically catering to women artists. In the current landscape, a mere 5% to 15% of artworks traded at auctions are created by women, starkly contrasted by the overwhelming 85% to 95% of works by male artists. This disparity is not only confined to auctions but is also prevalent in exhibitions, where male-created art significantly overshadows that of their female counterparts. By concentrating our efforts on female artists, THE ART HUB aims to counteract this imbalance and champion women within the art community. This initiative is designed to amplify the visibility of women artists, making their creations more accessible to a wider audience, and ultimately striving for a more balanced representation of genders within art auctions and exhibitions. By prioritizing women in art, our platform boldly advocates for equality and diversity within the art sector, signaling a commitment to reshaping and enriching the cultural landscape.

Propose a work associated with this style Propose a work associated with this style 1959-1965 Happening DE EN Welcome to Our Community! Dive into what makes us truly unique. Here, we provide a glimpse into our vibrant ecosystem, highlighting the special qualities that distinguish us. Whether it's our dedication to nurturing creativity, building connections, or showcasing extraordinary talents – we celebrate what you bring to the table. Enhance your experience with us by adding visual elements to your profile, making it even more engaging. Join us to create a space where inspiration thrives and connections grow deeper. Join the Elite Circle The Most Valuable & Expensive Works of Art in The World Be one of the owners of this limited edition and buy one of the 3333 hand signed books! Discover Limited Edition Along with Fluxus, the Happening is one of the most important forms of action art of the 1960s. A happening is an event improvised directly with the audience. One of the early forms of happening is the dé-coll/age happening. This includes throwing objects into the audience, exhibitionism, orgies of blood and paint, destroying, tearing, spoiling objects. The aim is to create a shock effect on an audience that is involved in the event through a wide variety of actions. The audience is part of the action conceived by the artist. The audience is included in the artistic actions, whereby the course of events is not fixed from the outset. Depending on the reaction of the audience, improvisation can vary (although happenings are seldom completely improvised, but rather rehearsed in advance). This also means that happenings usually do not have a fixed time frame; often the audience does not even know when the happening is over. Another characteristic of the happening is the use of different objects and their random or deliberate juxtaposition, which is also a basic principle of surrealism. The term was first used by Allan Kaprow in 1959 for an action at the Reuben Gallery in New York, which consisted of 18 happenings in six parts. There were three rooms, separated from each other by plastic sheeting, in which the events took place at the same time. However, Kaprow had already used the term in his essay "The Legacy of Jackson Pollock", published in 1958, where he sketched out a prognosis for the art of the post-Pollock generation. The aim of the Happening artists was to expand the traditional concept of art and to connect art with everyday life. In doing so, everyday actions were to be made clear to people and thereby abstracted. The boundary between Fluxus and Happening cannot be defined exactly, as some artists orientate themselves towards and participate in both forms of action. Discover Limited Edition Explore This Era DE EN 1959-1965 Happening Propose a work associated with this style Propose a work associated with this style