*1839-1906
Europe
Cezanne
Paul
54
Artist ID:
His painting provoked incomprehension and ridicule among contemporary art critics. Until the late 1890s, it was mainly fellow artists such as Pissarro, Monet, and Renoir, as well as art collectors and the gallery owner Ambroise Vollard, who became aware of Cézanne's work and were among the first buyers of his paintings. Vollard opened the first solo exhibition in his Paris gallery in 1895, which led to a broader examination of the artist's work. Of the many artists who took their cue from Cézanne's work after his death, Pablo Picasso, Henri Matisse, Georges Braque and André Derain deserve special mention. The contrasting orientation of the painterly works of the aforementioned artists reveals the complexity of Cézanne's oeuvre. From an art historical point of view, Cézanne's works rank him among the pioneers of Classical Modernism.
Paul Cézanne (* 19 January 1839 in Aix-en-Provence; † 22 October 1906 Aix-en-Provence) was a French painter. Cézanne's work is assigned to different styles: From an art-historical point of view, Cézanne's works make him one of the pioneers of Classical Modernism. While his early works were still characterized by Romanticism - such as the murals in the Jas de Bouffan country house - and Realism, he arrived at a new pictorial language through intensive study of Impressionist forms of expression, which attempted to consolidate the deliquescent pictorial impression of Impressionist works. He abandoned the illusionistic distant effect, broke the rules established by the representatives of Academic Art, and strove for a renewal of traditional creative methods based on the Impressionist color space and color modulatory principles.
Paul Cézanne (* 19 January 1839 in Aix-en-Provence; † 22 October 1906 Aix-en-Provence) was a French painter. Cézanne's work is assigned to different styles: From an art-historical point of view, Cézanne's works make him one of the pioneers of Classical Modernism. While his early works were still characterized by Romanticism - such as the murals in the Jas de Bouffan country house - and Realism, he arrived at a new pictorial language through intensive study of Impressionist forms of expression, which attempted to consolidate the deliquescent pictorial impression of Impressionist works. He abandoned the illusionistic distant effect, broke the rules established by the representatives of Academic Art, and strove for a renewal of traditional creative methods based on the Impressionist color space and color modulatory principles.
World of Art
Kitchen table (Still-life with basket)
117
Art ID
1888-1890
|
64,0 x 80,0 cm
Oil on canvas
90000000
$
Paul
Cezanne
Further Works of This Artist
Our Mission and Actions
At THE ART HUB, our mission is initially focused on addressing a profound imbalance within the art world, specifically catering to women artists. In the current landscape, a mere 5% to 15% of artworks traded at auctions are created by women, starkly contrasted by the overwhelming 85% to 95% of works by male artists. This disparity is not only confined to auctions but is also prevalent in exhibitions, where male-created art significantly overshadows that of their female counterparts.
By concentrating our efforts on female artists, THE ART HUB aims to counteract this imbalance and champion women within the art community. This initiative is designed to amplify the visibility of women artists, making their creations more accessible to a wider audience, and ultimately striving for a more balanced representation of genders within art auctions and exhibitions. By prioritizing women in art, our platform boldly advocates for equality and diversity within the art sector, signaling a commitment to reshaping and enriching the cultural landscape.
Cézanne's pictorial subjects were often bathers, the landscape around the Montagne Sainte-Victoire mountains, still lifes, and portraits of his model, his lover and later wife, Hortense Fiquet.
His painting provoked incomprehension and ridicule among contemporary art critics. Until the late 1890s, it was mainly fellow artists such as Pissarro, Monet, and Renoir, as well as art collectors and the gallery owner Ambroise Vollard, who became aware of Cézanne's work and were among the first buyers of his paintings. Vollard opened the first solo exhibition in his Paris gallery in 1895, which led to a broader examination of the artist's work. Of the many artists who took their cue from Cézanne's work after his death, Pablo Picasso, Henri Matisse, Georges Braque and André Derain deserve special mention. The contrasting orientation of the painterly works of the aforementioned artists reveals the complexity of Cézanne's oeuvre. From an art historical point of view, Cézanne's works rank him among the pioneers of Classical Modernism.
