*1471-1528
Europe
Duerer
Albrecht
13
Artist ID:
Dürer's vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercoulors and books. The woodcuts are more Gothic than the rest of his work. His well-known engravings include the three master engravings Knight, Death and the Devil (1513), St Jerome in his Study (1514) and Melencolia I (1514). His watercolours mark him as one of the first European landscape artists, while his woodcuts revolutionised this medium. Dürer's introduction of classical motifs into northern art through his knowledge of Italian artists and German humanists secured his reputation as one of the most important figures of the northern Renaissance. This is underpinned by his theoretical treatises, which include principles of mathematics, perspective and ideal proportions. Albrecht Dürer was one of the most influential, versatile and important personalities in European art and is therefore often considered Germany's most famous painter.
Albrecht Dürer the Younger (also Duerer; * 21 May 1471 in Nuremberg; † 6 April 1528 Nuremberg) was a German painter, graphic artist, mathematician and art theorist. His paintings, drawings, copper engravings and woodcuts make him one of the outstanding representatives of the Renaissance. Dürer established his reputation and influence across Europe when he was in his twenties due to his high-quality woodcut prints. He was associated with the most important Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and was patronised by Emperor Maximilian I from 1512. Dürer was recognised by both the Lutheran and Episcopal churches.
Albrecht Dürer the Younger (also Duerer; * 21 May 1471 in Nuremberg; † 6 April 1528 Nuremberg) was a German painter, graphic artist, mathematician and art theorist. His paintings, drawings, copper engravings and woodcuts make him one of the outstanding representatives of the Renaissance. Dürer established his reputation and influence across Europe when he was in his twenties due to his high-quality woodcut prints. He was associated with the most important Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and was patronised by Emperor Maximilian I from 1512. Dürer was recognised by both the Lutheran and Episcopal churches.
World of Art
Young Hare
21
Art ID
1502
|
25,1 x 22,6 cm
Watercolour and gouache on paper,
70000000
$
Albrecht
Duerer
World of Art
Great Piece of Turf
22
Art ID
1503
|
41,0 x 31,5 cm
Watercolor, pen and ink, mounted on cardboard
50000000
$
Albrecht
Duerer
Further Works of This Artist
Our Mission and Actions
At THE ART HUB, our mission is initially focused on addressing a profound imbalance within the art world, specifically catering to women artists. In the current landscape, a mere 5% to 15% of artworks traded at auctions are created by women, starkly contrasted by the overwhelming 85% to 95% of works by male artists. This disparity is not only confined to auctions but is also prevalent in exhibitions, where male-created art significantly overshadows that of their female counterparts.
By concentrating our efforts on female artists, THE ART HUB aims to counteract this imbalance and champion women within the art community. This initiative is designed to amplify the visibility of women artists, making their creations more accessible to a wider audience, and ultimately striving for a more balanced representation of genders within art auctions and exhibitions. By prioritizing women in art, our platform boldly advocates for equality and diversity within the art sector, signaling a commitment to reshaping and enriching the cultural landscape.
Unlike many of his contemporaries and predecessors, he was one of the few artists who also dealt with the creation of art in theory. It is therefore not surprising that, in addition to his numerous paintings, copperplate engravings and woodcuts, he also published several books dealing, for example, with human proportions or geometry. However, Dürer's fame is undoubtedly due in large part to his numerous pictures, which are rich in detail. In these he was always intent on depicting nature as faithfully as possible and showing every detail, no matter how small. An achievement that no other painter before or after him could surpass. In his home town of Nuremberg, Albrecht Dürer is one of the most important personalities and is still revered today. The Germanic National Museum located there conducts extensive research on the artist and also exhibits some of his works. In addition, there is the Albrecht Dürer House, a unique memorial site where Dürer himself lived and worked for almost 20 years. Today, the well-preserved and renovated burgher's house from 1420 is extensively museumised, making a visit worthwhile for everyone.
Dürer's vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercoulors and books. The woodcuts are more Gothic than the rest of his work. His well-known engravings include the three master engravings Knight, Death and the Devil (1513), St Jerome in his Study (1514) and Melencolia I (1514). His watercolours mark him as one of the first European landscape artists, while his woodcuts revolutionised this medium. Dürer's introduction of classical motifs into northern art through his knowledge of Italian artists and German humanists secured his reputation as one of the most important figures of the northern Renaissance. This is underpinned by his theoretical treatises, which include principles of mathematics, perspective and ideal proportions. Albrecht Dürer was one of the most influential, versatile and important personalities in European art and is therefore often considered Germany's most famous painter.
